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21 JAN 2021

THE INVISIBLE VEIN

THE INVISIBLE VEIN

The Opposite House is delighted to present “The Invisible Vein” by Huang Yiwei. This is a time of great global turmoil, and people who have long lived in a peaceful and hedonistic atmosphere are experiencing more and more outbreaks of anomalies. Much of what is known as "common sense" has been reassessed in the midst of violent upheavals. As one of many people, Huang Yiwei slowly weaves the wires by hand to visually express his feelings and thoughts on these contemporary issues.

The body is not only the integration of blood, but also the container of cultural attainment. The touch of physical blood and spiritual context is reflected in Huang Yiwei's works of various shapes and colors. He has stripped away the vascular system from the inside and out of the living, or has given blood to the natural or artificial inorganic substances out of nothing. No matter organic or inorganic matters, all have contemporary universal symbolic meaning. Therefore, these vines and vessels of different colors offers an opportunity for people to reflect on public issues in the current over-secularized context.



"To be is to be perceived" is widely accepted, nevertheless human perception ability is very limited, let alone that from the material sphere to the spiritual sphere under the surface lies an inexhaustible vastness and depth. The artist believes that blood vessels are the amazing power of the Creator. 

Starting from the visible blood vessel system, he traces back to the material evolution relationship of "all things in a series" among inorganic small molecules, organic macromolecules and biological macromolecules, which is the dimension of natural science.

"To be is to be perceived" is widely accepted, nevertheless human perception ability is very limited, let alone that from the material sphere to the spiritual sphere under the surface lies an inexhaustible vastness and depth. The artist believes that blood vessels are the amazing power of the Creator. 

Starting from the visible blood vessel system, he traces back to the material evolution relationship of "all things in a series" among inorganic small molecules, organic macromolecules and biological macromolecules, which is the dimension of natural science.

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